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・ Orlando Fenwick
・ Orlando Fernández
・ Orlando Ferrante
・ Orlando Festival
・ Orlando Figes
・ Orlando Fighter Wing
・ Orlando Figueroa
・ Orlando Film Festival
・ Orlando finto pazzo
・ Orlando Flacco
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・ Orlando Furioso
・ Orlando furioso (Vivaldi)
Orlando furioso (Vivaldi, 1714)
・ Orlando Gando
・ Orlando Gaona Lugo
・ Orlando Garcia
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・ Orlando Garrido
・ Orlando Gibbons
・ Orlando González
・ Orlando Gough
・ Orlando Graham
・ Orlando Gray Wales
・ Orlando Grootfaam
・ Orlando Guerrero Torres
・ Orlando Gutiérrez
・ Orlando Gutiérrez (Chilean footballer)


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Orlando furioso (Vivaldi, 1714) : ウィキペディア英語版
Orlando furioso (Vivaldi, 1714)

''Orlando furioso'' RV 819 ((:orˈlando fuˈrjoːzo), Teatro San Angelo, Venice 1714) is an opera surviving in manuscript in Vivaldi's personal library, only partly related to his better known Orlando furioso (RV 728) of 1727. It is a recomposition of an ''Orlando furioso'' written by Giovanni Alberto Ristori in 1713, whose score survives in a few fragments retained in the score of RV 819.〔''Opera & Vivaldi'' Michael B. Collins, Elise Kuhl Kirk - 1984 "Beyond any doubt, Vivaldi took two arias — "Come l'onda" and "Anderò, chiamerò dal profondo" — from his 1714 work ''Orlando furioso'' and reused them in his 1727 opera. These texts are not found in Ristori's 1713 Orlando furioso,"〕 Therefore, Vivaldi's first cataloguer Peter Ryom did not assign the opera a RV number, but catalogued it as RV Anh. 84.
==Authorship==

Federico Maria Sardelli, according to the studies of Reinhard Strohm, argues that Orlando RV 819 was entirely recomposed by Vivaldi, starting from the original Ristori's opera that Vivaldi himself had already changed during the numerous representations of the season 1713. He assigned to it the catalogue number RV 819.〔Diverdi.com (Se descubre otro ‘Orlando furioso’ de Vivaldi )〕〔http://www.guardian.co.uk/music/2012/jul/15/orlando-furioso-vivaldi-1714-version〕 One suggestion is that Vivaldi avoided putting his own name on the opera having himself only recently taken direction of the Teatro San Angelo. Against this others consider that the bulk of the opera is a copy of Ristori's lost work.〔Carlo Vitali article in Musical America 2012〕

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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